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| World Premier of Ron Hannah's SUITE OF ORCHESTRAL DANCES. by J.A. CREAGHAN On Friday, October the 11th and Saturday the 12th, 1996, conductor Neal Gittleman and the Edmonton Symphony Orchestra gave the World Premiere of Ron Hannah's "Suite of Orchestral Dances (... the common air that bathes the globe)". This 20 minute work for full orchestra was given a warm and enthusiastic reception from the audience at the Jubilee Auditorium, and deservedly so. This is a work which has its roots in folksong, taking a melody from each of the six inhabited continents. The melodies were expressed in well-realized forms and handled with a sense of clarity and ease capturing their character and beauty. The compositional style used was not that of arrangement of folksong, as these melodies were mixed with the composer's own innate sense of melody. These contrasting melodies, accompanying figures, and contra- puntal themes provided the building blocks out of which these works were created. Here the composer handled these themes just as they should be, with breadth and simplicity, organizing them into a refined statement. The six movements were played without a break conveying a sense of unity between the movements and empathy to its foreign melodies. This helped give a sense of rhythmic and linear integration to the composition. The movements were short for the orchestral medium, their power and effectiveness coming from their size. One senses in this work a synthesis of an attraction to reality and a desire for the exotic. The work was splendidly orchestrated with always a hint of impressionism. "Suite of Orchestral Dances" is a welcome addition to the Canadian repertoire and deserves many performances. -- THE ALBERTAN COMPOSER, Spring 1997 |
Duration: about 19 minutes
This suite is a labour of love, indeed. I have always
wanted to write a suite for orchestra, and when David Hoyt, assistant
conductor of the Edmonton Symphony Orchestra, suggested turning my already-begun
work into a commission, I was delighted.
I had already started writing it during a
trip to Austria with the Da Camera Singers in 1992. We were staying in
Eisenstadt, where Haydn got his
first real job, and rehearsing each day in the Haydnsaal, where he himself
worked. During an extended lunch break one day, I found a shady spot on the
palace grounds and started writing. I wanted to write something in a folkish vein,
and later this idea was expanded to include the quotation of folk melodies
throughout the suite. But I won't put all of that here.
This link will take you to the program notes which explain each
movement.
It was
premiered in the fall of 1996 by the Edmonton
Symphony, under the direction of guest conductor, Neal Gittleman, who did
an incredible job of bringing it to life! The orchestration is as follows:
2,2,2,2; 4,2,3, tuba; timp, 3 perc.; strings
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