...the wide world of Ron Hannah

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am a composer, heir to Beethoven, Bartok and all great musical masters of the past and the present. It is a rich inheritance, full of the finest that the human mind has to offer. I react physically to music. I have found myself standing at the end of a piece of music when I distinctly remember having been seated when it began, and not remembering how or when I stood. The wildest feelings of freedom, power and exaltation are evinced in me by great music. The downside of it is that I cannot avoid listening even to poorly constructed sounds such as one hears endlessly today on commercial radio and TV. Musak in a restaurant spoils an otherwise splendid evening, and I always insist on leaving when the music begins to repeat. But my greatest sorrow is that people everywhere do not seem to experience the same profound depths of pleasure and feelings of oneness with mankind that great art of any sort engenders. Instead poor cousins abound: cheap sitcoms and soap operas substitute for drama, four-square boring pop songs pretend to music, professional sport masquerades as something substantive...

     This is not snobbery. A snob believes he is better than others and wishes to exclude them. I wish for all to come to (at least) my level of understanding of the world and of art and to achieve the breathless pleasure that I feel when a work of art challenges the intellect and piques the emotions. I am an elitist in this regard, but I believe that the elite will disappear one day as ignorance is slowly eradicated and all persons come to realize their potential.

     The music I write is modern to be sure, but it has firm roots in its heritage. I love a good melody but I am also aware of the power of dissonance and texture to add drama to a work. For example, here is a section of my Suite of Orchestral Dances. About a minute in, the solo violin plays a sweetly sad Balinese Lullaby but the woodwinds behind are playing notes in imitation of birdsounds whose pitches are specified but whose rhythm is entirely at the players' discretion: a fine mix of melody and aleatoric technique. This suite was commissioned by the Edmonton Symphony Orchestra and is based upon folksongs, one from each inhabited continent and played without a break as is consistent with my belief in the oneness of humanity. The Australian Melody utilizes some authentic didjeridu rhythms and a real aboriginal melody (heard on the muted trumpet near the start) and contains later my depiction of the arid outback. I hope you can feel the sweaty languor and see Uluru (Ayers Rock) shimmering in the distance. Music has magical power but only if you allow it sway.

Incidentally the full score of the Suite of Orchestral Dances may be downloaded from this site, as may several other of my works - I am adding more all the time.

     If you've read to this point (and even listened to the examples) I commend you and hail a kindred spirit. Perhaps a list of my works would interest you. The link that follows will take you to the Edmonton Composers' Concert Society website, a group which I helped to found several years ago. Though I now live in Guatemala, I still maintain my membership and watch its growth with pride. There you can learn about the Edmonton New Music Festival our CDs, publications and activities, and see that I am not the only idealist in this corner of the cosmos. Here is a parting musical gift: the 3rd movement from my Piano Trio #1. Listen for the quick 11/8 rhythm. This is one of those pieces that just flowed out of me one day, unbidden, but certainly not unwelcome. I wish that kind of intense inspiration would happen more often!

(P.S. Have patience downloading the sound files, in fact, if you don't have a high-speed connection, have much patience!)

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OK, so if you call yourself an iconoclast you've
got to be controversial, right? The boxes that follow contain statements that
are clever or poetic or provocative in my opinion, and
worthy to be shoved in your face. I welcome
cogent comments (all others will be
ignored). Click the first
letter of the one
you find
most delightful (or offensive) to send me your reactions.

When you come to a fork in the road
take it.
- Attributed to Yogi Berra -

If it is art it is not for everyone,
and if it is for everyone it is not art.
- Arnold Schönberg -

You may ride's with one soft kiss
a thousand furlongs
ere with spur we heat an acre.
- Shakespeare - The Winter's Tale -

What is man when you come to
think upon him but a minutely set
ingenious machine
for turning with infinite artfulness
the red wine of Shiraz into urine?
- Isak Dinesen - Seven Gothic Tales -

Nothing proves the existence
of intelligent beings in space more than
their failure to contact us.
- Bill Watterson - creator of Calvin and Hobbes -

Time held me green and dying
though I sang in my chains like the sea.
- Dylan Thomas - Fern Hill -

No one can make you feel inferior
without your consent.
- Eleanor Roosevelt - This is My Story -

Wall Street indexes predicted nine
out of the last five recessions.
- Paul A. Samuelson - Newsweek (Sept/1966) -

Truth exists
only falsehood has to be invented.
- Georges Braque - Pensées sur l'Art -

Anyone who hates children and dogs
can't be all bad.
- W. C. Fields -

The universe is not hostile
nor yet is it friendly. It is simply
indifferent.
- John Haynes Holmes - The Sensible Man's View of Religion -

The unleashed power of the atom
has changed everything save our mode
of thinking and we thus drift
toward unparalleled catastrophes.
- Albert Einstein - letter -

No snowflake in an avalanche
ever feels responsible.
- Stanslaw Jerzy Lec - More Unkempt Thoughts -

Men are always sincere.
They change sincerities that's all.
- Tristan Bernard - Ce Que l'On Dit aux Femmes -

Capitalism it is said is a system
wherein man exploits man.
And communism--is vice versa.
- Daniel Bell - The End of Ideology -

What people say about you
behind your back
is your standing in the community.
- Edgar Watson Howe - Country Town Sayings -

In the depth of winter I finally
learned that within me there lay
an invincible summer.
- Albert Camus - L'été -

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ine is a natural product of infinite variety, capable of granting the finest of pleasurable sensations or equally, the deepest disappointment. I have maintained a cellar of some 70 bottles and have been known to stir an occasional foul- smelling tub of must. The best wine I have made was out of blackberries from Victoria, British Columbia...you could not tell it from a quality Bordeaux! The worst was, well, it's too painful.

     I tend to enjoy full-bodied reds such as Crozes-Hermitage or North Coast cabs from California. Once at the Bristol Wine Fair I sampled a Chateau Margaux '62. This was in 1978 and the price was 30 pounds a bottle. The experience has never left me. An explosion of savours (not always pleasant) hit me and continued long after swallowing: butterscotch, green pepper, leather, and many for which I had not adjectives. A single glass could entertain one for an entire evening. Anyone who does not hail the majesty of great wine lives an impoverished life indeed.

     An anecdote I read once concerns a famous food critic who loved desserts being invited to dinner. Upon learning that no dessert was to be served she sulked audibly. After the dinner she was handed a glass of rich amber wine and upon sipping it she brightened and declared, "Oh I see! The wine is the dessert!" I believe the wine was a Beerenauslese and I would appreciate anyone telling me who this story is about for I too have chewed on a fruity, exquisite wine of this sort and wept silently when the bottle was done.

     Once while cycling in Austria I stopped at a small cafe under a picturesque stone arch and enjoyed immensely a chilled Trockenbeerenauslese while watching the storks nesting in the chimneytops. I recount this partly to make you all envious and partly because it is one of my favorite memories.

     Anyway next to music and sex, wine is the greatest gift nature has to offer and I encourage all to ignore the snobs, learn a bit about the subject, and set off on a lifetime adventure - always being prepared for profound satisfactions and equally deep disappointments. Never will you be bored.

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he title 'astronomer' must, I fear, be prefaced with the word 'amateur'. I have learned much of the night sky, at least in the northern hemisphere and more recently in the southern, and have spotted many of the Messier objects in my scope. I am stunned every time by the beauty of double stars such as Cor Caroli and by the spectacular scattering of suns in the Pleiades. I have caught and sang Jupiter's bands and Galilean moons, the mare of the moon, and the phases of Venus. I have seen a meteor break into two pieces in flight and had two satellites cross paths in my binoculars. I have walked the perimeter of Meteor Crater in Arizona and scrabbled through the Henley craters in Australia, and come away from all these experiences with a sense of how full and busy space is, and how lucky we are each day not to have our lives disrupted by some impossibly energetic object.

     My equipment, when I had it, was basic: a 4-inch Newtonian reflector. Powerful enough to resolve the Trapezium and to see mountain shadows on the moon, and just powerful enough to convince me that I wanted something bigger. To do justice to the practice of astronomy one must devote much time to it. Entire evenings can be spent watching the Perseids or searching for objects and like computers, skywatching can gobble up time at an alarming rate. These two factors, limited equipment and lack of necessary time, plus my now-wandering lifestyle, conspire to rob me of further opportunities to learn from the sky, at least by telescope.

     So I get out when I can under the graceful span of Cygnus, or more recently, the Southern Cross, and poke about in my little corner of the galaxy, all the while lamenting my short lifetime and feeling defeated by the overwhelming size of what I am contemplating ...and by the sheer quantity of what there is to know. It is impossible, ever, to be bored.

     P.S. Is anyone else out there disappointed with comets? A fuzzy patch in the sky is just a larger fuzzy patch in the eyepiece!

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his life of mine hasn't exactly panned out as I expected. I did the academic thing, got degrees, got a job, a family, a house, investments, the whole enchilada - but I never believed in it, never really accepted the 'security in old age' story I was hearing, and sure enough it all fell away. Maybe this was a self-fulfilling prophecy, but even as a small child I "knew", in some mysterious way, that I would be poor when I got older. I further "knew" that the new millennium would be a huge turning point. It used to frighten me.

     What the "knowing" didn't tell me was that I would come to see my poverty for the liberation that it represented, and be joyful in it. But how did it all happen? Let's see, there was a business failure followed by the using of investment money to live; I and my wife of the time purchased a condominium which proved to be leaky, one of thousands that were criminally built by government and building contractors in British Columbia to a faulty building standard (follow this link to learn more); my marriage did not survive this twin onslaught and so divorce followed; so did a heart attack. Yes, that's about it, and I suppose it should be enough for anyone.

     In hospital, knowing the heart condition was caused by the stress of worry over my upcoming bankruptcy, I still "knew", too, that I would not die. It was a bad time, but rather than commit suicide (it occurred to me), I sold and gave away most everything and went with my new partner to China to teach English and start over. I loved it. Later, Ruth and I hiked through Vietnam, Cambodia, Thailand, Laos, China again, Australia, Indonesia and Malaysia, stopping and teaching from time to time, living from a backpack, and feeling lightened beyond belief for having shed the Western acquisitive living style. I am writing this paragraph in Guatemala.

     So now I have no home, no car, no credit cards (I refuse to carry them or ever again to own the first two), no credit rating, no cellphone (I've seen how they govern the lives of those who own them, especially in China), NO DEBTS and no stress. I wander the world with Ruth, living cheaply (our income is my pension: about $1200 Canadian dollars per month plus what we can earn on the road), and not wishing ever again to live in a Western country. We never book ahead, use local, sometimes horrendous transport, and stay in little hotels and homestays for, well, we think $10 a night is high. I am free as possible of our society's stress-inducing corporate nonsense, and you can be too, but hopefully not in the extreme way in which I came to it.

     My wealth was torn from me otherwise I might still be discontentedly wallowing in my possessions, but I think yours might well disappear too unless you start questioning the morality of the makers of the endless things you purchase, come to know of the unfair ways in which they are produced, and refuse then to buy most of them. More important though, MUCH more important, is to tell those producers why you are not buying. As long as they think you don't care they will continue to cheat, disenfranchise, even murder, the world's poor. You hold the power, only you the consumer can reign in the rampant greed of international business. Our 3rd world wanderings have proved most enlightening.

     I close with a photo Ruth took in Laos - a big Pepsi ad (PepsiCo appears to own Laos) in a cemetery. I think it nicely illustrates the corporate insensitivity we seek to avoid.

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